Why is it better to last than to burn (Letter to Umm)

Why is it better to last than to burn (Letter to Umm)

2017

Performative drawing with acrylic ink, water-soluble crayons gum arabic and ashes on paper.

H 92.5 x W 64.5cm framed (H82x54cm (unframed) )

More about the work here.

Don't Bend! Ascend!

Don't Bend! Ascend!

2013
Chinese ink and acrylic ink on mulberry bark paper
H50 x69cm


Created as an instinctual response to the music by Godspeed You! Black Emperor, for chART - a group exhibition about the relationship between visual art and music, organised by Bad Behaviour in October 2013.

This is where I leave you now

This is where I leave you now

2014

Acrylic ink, Chinese ink and squid ink on paper
H48.5 x 51cm

Part of a series of work related to water.

Portal

Portal

2014

Acrylic ink on paper panel
H57x61.5 cm

Part of a series of work related to water.

Vincent

Vincent

2014

Acrylic ink on paper
H89 x 61 cm

Part of a series of work related to water.
 

Like Clockwork 1:07

Like Clockwork 1:07

2014

Acrylic ink on paper
H39 x 51 cm

Part of a series of work related to water.

Ethereal

Ethereal

2015
Scratchboard
H25.5 x W20.5cm

Nocturne

Nocturne

2015

Pen on paper

H84.1 x W59.4cm

Created at CSA recording session.

 

Elusive Light

Elusive Light

2012
Drawing ink, acrylic ink on paper
H97 x W73cm

A response to the phrase "Seeing in the Dark" the title of an exhibition, in which it was shown. It contemplates the idea of facing the unknown.

21.09.12 Friday E2 9DG

21.09.12 Friday E2 9DG

2012
Remains from a six hours daily ritual drawing
Fineliner pen on tracing paper
H75.5xW51cm

Part of the long durational performance drawing - 17-21-09-2012 E29DG at Matt Roberts Arts Gallery.

Intangible Schematic

Intangible Schematic

2013
Chinese ink and fineliner pen on paper
H29.7x21cm

Breathe

Breathe

2012
Fineliner pen on tissue paper
H75.5xW51cm